Danzig Iii - How The Gods Kill Full Download UPDATED
Danzig Iii - How The Gods Kill Full Download
| Danzig III: How the Gods Impale | ||||
|---|---|---|---|---|
 Comprehend art by H. R. Giger | ||||
| Studio album by Danzig | ||||
| Released | July 14, 1992 | |||
| Recorded | November 1991 – April 1992[1] | |||
| Studio | Record Institute Hollywood Sound Recorders | |||
| Genre | Heavy metal, dejection rock, difficult rock | |||
| Length | 49:12 | |||
| Label | Def American | |||
| Producer | Glenn Danzig, Rick Rubin | |||
| Danzig chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [2] |
| College Music Journal | (favorable)[3] |
| Hit Parader | (favorable)[4] |
| Pitchfork | 8.7/10[five] |
| Request Magazine | (favorable)[6] |
| Rock Hard |   [7] |
| Rolling Stone | [8] |
| Spin | (unfavorable)[9] |
| Trouser Printing | (favorable)[10] |
Danzig III: How the Gods Kill is the third album by American heavy metallic band Danzig, and the highest to chart at the time of its release in 1992 on Def American Recordings. It was reissued in 1998 past Def American's successor, American Recordings.
Music and recording [edit]
How the Gods Kill was a departure from the previous Danzig albums and featured more than of a doom and gothic metal sound.[ citation needed ]
Bassist Eerie Von considers the album to be Danzig'southward best, with the band at its peak and able to tape most of the basic tracks for each song within a couple of takes.[11]
Guitarist John Christ noted how a lot of time was spent perfecting the guitar sounds for the album.[12] For the quieter moments on the songs "Anything", "Sistinas" and "How the Gods Impale", Christ used a Strat guitar previously played by Jeff Brook.[13]
The title song "How the Gods Kill" concerns a search for knowledge and an agreement of oneself.[14] According to John Christ, "That was a real tricky vocal to write and record. It has so many level jumps and changes in the sound of the guitar. I had to get from a very soft department to a very loud section to an in-between section. If you listen closely, yous can hear a hissing noise in the vocals in the intro because we were using a real noisy vocal preamp. We tried everything to get rid of it, but Glenn'due south performance was and then good that we decided to leave it - the mood was just right."[15]
The song "Sistinas" was written during a pulsate track recording session, as John Christ recalled: "Nosotros were in the studio recording drum tracks, and while we were on a intermission Glenn picked up my guitar and started getting an idea for a song. Then I came upward with a niggling chorus office, and in about an hour or ii we had the basic structure of the song. He wanted information technology to accept a Roy Orbison blazon of vibe with some timpani and keyboards. Nosotros used an quondam Fender amp with a vibrato on it, and nosotros cranked up the vibrato to get those really large chords - it was perfect for that song."[15]
Opening rails "Godless" is most feelings of frustration caused by organised organized religion.[16]
"Heart of the Devil" was the first song on the anthology to be performed live by the band, during the European Lucifuge tour in 1991.[17] Later in the aforementioned yr, information technology was confirmed that the tracks "Bodies" and "Do Yous Wear the Mark" had been written for the album.[17] Blues legend Willie Dixon had agreed to guest on the track "Heart of the Devil", but died before the recording session was scheduled.[18] The avant-garde metal band Lux Occulta recorded a cover version of "Heart of the Devil" for their 1998 EP Maior Arcana: The Words That Turn Flesh into Low-cal.
The tracks "How the Gods Kill" and "Muddied Blackness Summer" became popular and remain a permanent fixture in the band's set list.
Artwork and packaging [edit]
The album's comprehend is a 1976 painting called Meister und Margeritha (The Principal and Margarita) by famous Swiss artist H. R. Giger, named after Mikhail Bulgakov'south novel The Master and Margarita. For the album comprehend, Giger modified the original painting slightly, covering "the Master'south" erect penis with a dagger bearing his estimation of the Danzig skull symbol. Giger's version of the Danzig skull was later used on T-shirts and as the comprehend fine art for the "Muddy Blackness Summertime" single.
Like Danzig's other three albums with the original lineup, this album was issued a Parental Informational sticker, later on complete with a "potent language" warning, despite the total absence of profanity. In some markets, the primeval pressings were issued in a CD longbox.
Reception [edit]
Allmusic wrote, "Danzig's third album continues to expand the band's musical range" and chosen it "arguably the definitive Danzig album".[nineteen] Rolling Rock wrote, "Danzig the group has evolved, in the course of iii albums, into a resourceful, tightly meshed unit...Danzig embodies the all-time in contemporary hard rock while displaying an originality that transcends genres...Rock is alarmingly brusk of visionaries these days; Danzig is the genuine article".[viii]
Hit Parader, while saying that the album is too unrelenting to cause Danzig to break into the mainstream, wrote, "They deserve whatever recognition they get simply for having the guts to play metallic the way it was meant to exist played."[4]
Trouser Press called information technology "a roaring slab of leathery rock that isn't overly troubled by his lyrical obsessions", highlighting "Do You lot Clothing the Mark" and "Heart of the Devil" as examples of Danzig's interest in nighttime topics. The review besides describes Danzig's "confidence (or hubris, aforementioned departure here)" in "Sistinas", which is performed "as a ridiculous croony gothic carol". The review concludes, "Economical and efficient, an organic blend of vocals and instrumental intensity, How the Gods Kill is slap-up bleak fun."[ten]
Bob Mack of Spin called the ring "besides goofy to be taken seriously equally regular rockers but non goofy enough for the drawing metal crowd" and wrote that the lyrics to "Heart of the Devil", instead of sending a shiver down his spine, caused him to roll his eyes. He did compliment "Left Hand Black" and called "Sistinas" the "all-time Orchestral Manoeuvres in the Dark song since OMD's 1984 LP Junk Culture".[ix]
Daina Darzin of Request Magazine praised the album for its "solidly crafted melodies" and "lush, malevolent power", along with Danzig'south "wonderfully expressive, opulent phonation" and the "spectral mystique" added by John Christ's guitar work. Writing about the lyrics she stated that Danzig "has the backbone to go for fatalistic grandeur and gets away with it, for the nigh part", citing lyrics to "Heart of the Devil" as an exception.[6]
Pitchfork described information technology as the "album that lived up to the mighty image he'd built, where the archetype lineup of his solo ring in its prime found an emotional maturity unmatched by any tape he made before or after. It's Danzig at his almost sinister, notwithstanding also his most human being", adding that the band "reach a bigger, denser audio than they'd previously had. Danzig's subtle croon simply intensifies the effect of the blaze—stoked by desperate longing, he sounds that much more than demonic...How the Gods Kill marks the moment when Danzig transcended his punk origins and staked out a deeper place in the modernistic music canon, patching together the influences of Dixon, Orbison, and Howlin' Wolf into something grand. Information technology'south a record most confronting your inner strength, testing if information technology's plenty to endure heartbreak and uncontrollable lust; information technology'south near feeling that God is failing you, and wanting the power of a god withal".[5]
In a career retrospective, Cam Lindsay of Exclaim! rated it Glenn Danzig'south second best anthology.[20]
Music videos [edit]
Music videos were released for the songs "How the Gods Impale", "Dirty Blackness Summer", "Bodies" and "Sistinas". Glenn Danzig directed all videos, bated from "Muddy Blackness Summer", which was directed by Anton Corbijn. A live performance of the song "Left Hand Black" has also been released. The "How the Gods Kill" music video appeared on Beavis and Butt-Head, in the episode "Scientific Stuff".[21] All music videos from the album are featured on Danzig's Archive de la Morte DVD.
A documentary was filmed during the making of How the Gods Kill, though it currently remains unreleased.[22]
Track listing [edit]
All tracks are written past Glenn Danzig.
| No. | Championship | Length |
|---|---|---|
| 1. | "Godless" | six:51 |
| 2. | "Annihilation" | 4:49 |
| 3. | "Bodies" | iv:25 |
| 4. | "How the Gods Kill" | 5:57 |
| 5. | "Muddied Black Summer" | 5:14 |
| 6. | "Left Hand Black" | 4:thirty |
| 7. | "Middle of the Devil" | 4:40 |
| 8. | "Sistinas" | 4:25 |
| 9. | "Exercise Yous Wearable the Mark" | 4:47 |
| ten. | "When the Dying Calls" | 3:31 |
| Total length: | 49:12 | |
Credits [edit]
- Glenn Danzig – vocals, keyboards
- Eerie Von – bass
- John Christ – guitars
- Chuck Biscuits – drums
Production [edit]
- Producers: Glenn Danzig and Rick Rubin
- Executive Producer: Rick Rubin
- Engineers: Nick DiDia, Craig Brock, Jim Labinski, Randy Wine
- Mixing: Jason Corsaro
- Mastering: Howie Weinberg
- Design: Dirk Walter
- Illustrations: H.R. Giger
- Photographer: Peter Darley Miller
Charts [edit]
Album - Billboard (North America)
| Year | Chart | Position |
|---|---|---|
| 1992 | Billboard 200 | 24 |
References [edit]
- ^ "Danzig Recording Sessions". misfitscentral.com. Retrieved January 15, 2017.
- ^ Steve Huey (July 14, 1992). "Danzig III: How the Gods Impale - Danzig | Songs, Reviews, Credits, Awards". AllMusic. Retrieved June xiii, 2014.
- ^ "Archived re-create". Archived from the original on June 24, 2007. Retrieved July 22, 2010.
{{cite spider web}}: CS1 maint: archived copy as title (link) - ^ a b "Hit or Miss - DANZIG III - How the Gods Kill". Hit Parader . Retrieved May 12, 2010.
- ^ a b "Danzig: Danzig III: How the Gods Kill". Pitchfork.
- ^ a b "Request Magazine, 7/92". MisfitsCentral.com. Retrieved June 13, 2014.
- ^ [1] [ dead link ]
- ^ a b "Danzig 3: How the Gods Kill". Rolling Stone . Retrieved June 21, 2010.
- ^ a b Mack, Bob (August 1992). "Spins: Danzig: Danzig III: How the Gods Kill". Spin. Vol. viii, no. v. p. 76.
- ^ a b "DANZIG". Trouser Press . Retrieved October 8, 2013.
- ^ "Interview with Eerie Von". Live4Metal. June 2008. Archived from the original on February 12, 2009. Retrieved December 23, 2009.
- ^ Gilbert, Jeff (September 1993). "Danzig Anarchism Act". Guitar World . Retrieved July 25, 2010.
- ^ Christ, John (February 1994). "I Walked with a Zombie". Guitar for the Practicing Musician. Retrieved July 25, 2010.
- ^ Chirazi, Steffan (September 1992). "DANZIG - Back in Blackness". RIP mag. Retrieved June 21, 2010.
- ^ a b Kitts, Jeff (July 1994). "Prime number Cuts: John Christ". Guitar School. Retrieved August 23, 2010.
- ^ Russell, Tom (September 3, 1992). "Glenn Danzig Interview". 102.five Clyde 1. Retrieved June 21, 2010.
- ^ a b Sherman, Lee. "It Own't Like shooting fish in a barrel Existence Danzig". Faces Mag. Retrieved May 4, 2010.
- ^ "Danzig Biography". MusicMight.com. Archived from the original on January v, 2010. Retrieved October ix, 2009.
- ^ Huey, Steve. "Danzig Iii: How the Gods Kill - Review". Allmusic . Retrieved May 12, 2010.
- ^ Lindsay, Cam (August 30, 2016). "An Essential Guide to Glenn Danzig". Exclaim! . Retrieved November 2, 2016.
- ^ "Beavis and Butt-head: The Episode Guide". Beavis-Butthead.ru. 1998. Archived from the original on December six, 2000. Retrieved December 23, 2009.
- ^ Gitter, Mike (December 1999). "Glenn Danzig interview". Metal Maniacs. Retrieved Dec 28, 2011.
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